Saturday 22 October 2016

Latest Movies Rating And Review

In this article we write a complete list of 2016 latest hollywood movies rating and review. In this article we write a list of horer movies missons movies civil war movies based on jungle movies batman movies superman movies Warcraft  movies based on animal movies based on biography drama comedy adventure based on full action movie based on full romance movies based on adventure action and other type of movies details are provide in this article. A good collection of all fantastic movies 2016 are here

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2016 Latest Movies Rating And Review:

'Kekszakallu': Film Review | NYFF 2016

Courtesy of Venice International Film Festival
A lethargic, experimental drama.
Gaston Solnicki's debut narrative feature abstractly depicts the day-to-day lives of several young Argentine women.
Argentine filmmaker Gaston Solnicki's debut narrative feature Kekszakallu, recently showcased at the New York Film Festival, poses an interesting conundrum for a critic. A plot description for the bewildering, experimental drama feels almost impossible, so I'm going to excerpt from the official synopsis:

"Kékszakállú is an unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. The torpor of boredom and privilege is undercut by the vicissitudes of Argentina’s economic malaise, forcing the offspring of a vanishing upper class to extricate themselves from the props of familial privilege. The film presents a documentary-like exposure of the quotidian while extending possibilities for redemption among this brood of the weary. Obliquely inspired by Bela Bartok’s sole opera, Kékszakállú radically transposes the portent of Bluebeard’s Castle into something far less recognizable: a tale of generational inertia, situated between the alternating and precisely rendered tableaux of work and repose in Buenos Aires and Punta del Este."

'Billy Lynn's Long Halftime Walk'
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Fortunately, it's easier to get through the film itself than the description, although not by much. The movie depicts the day-to-day lives of several comely young women (often in various states of undress) and the men in their orbit as they experience periods of both recreation and work. The thematic links to Bartok's opera, passages of which are used throughout on the soundtrack, are tenuous at best, inexplicable at worst.

A minimalist, cinematic tone poem, the film eschews narrative structure in favor of attempting to convey the emotional states of its thinly drawn characters as they enter adulthood. The dreamlike images are certainly arresting, whether they're showing the young woman frolicking in a pool, studying for exams, working in a factory or engaging in household activities. The proceedings are marked by a sensuous, tactile quality that, for a while at least, holds your attention even if you don't really know what's going on.

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But a little of this sort of thing goes a long way, and despite its brief, 72-minute running time, the lethargic, repetitive film's themes of alienation and ennui are all too easily transferred to the viewer.    

Venue: New York Film Festival
Production companies: Filmy Wiktora, Frutacine
Cast: Laila Maltz, Katia Szechtman, Lara Tarlowski, Natali Maltz, Maria Soldi, Pedro Trocca, Denise Groesman
Director: Gaston Solnicki
Producers: Ivan Eibuszyc, Gaston Solnicki
Directors of photography: Diego Poleri, Fernando Lockett
Editors: Alan Segal, Francisco D'Eufemia
Composer: Bela Bartok


Not rated, 72 minutes

Movies Review And Latest Movies Rating

In this article we write a complete list of 2016 hollywood movies review and latest movies rating. In this article we write a list of horer movies missons movies civil war movies based on jungle movies batman movies superman movies Warcraft  movies based on animal movies based on biography drama comedy adventure based on full action movie based on full romance movies based on adventure action and other type of movies details are provide in this article. A good collection of all fantastic movies 2016 are here

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Top Movies Review And Latest Movies Rating:

‘Breadcrumbs’ (‘Migas de Pan’): Film Review

Courtesy of Xamalu Filmes
Justina Bustos in 'Breadcrumbs.'
Efficient but unexciting.

Uruguay’s Oscar submission tackles the effects of that country’s dictatorship on the emotional life of a young woman.
“No misfortune lasts forever,” says a character in Breadcrumbs. But they can last a very long time. The Latin American dictatorships of the 70s and 80s continue to resonate both socially and filmically, and although these stories need to be told, new perspectives always need to be found. In its focus on a woman’s choice between political activism and motherhood, Manane Rodriguez’s Breadcrumbs indeed finds one. But the film’s worthy commitment to the historical truth feels like a brake on its full exploitation of this explosive material, and the project is not aided by the somewhat under-realized central character.

Broadly speaking, Rodriguez returns to themes she explored in 2001’s The Lost Steps, her take on the so-called “disappeared” of Argentina’s Dirty War. Photographer Liliana (Cecilia Roth, a veteran whose work includes several stints with Pedro Almodovar down the years) is revisiting Uruguay for the wedding of her son, Diego (Ignacio Cawen) from whom she’s been estranged. “They’ve made me a mother without a child,” Liliana says, an example of clumsy dialogue which the film generally avoids, “but they won’t take my granddaughter from me.”

Without yet understanding why, we see Liliana literally sobbing at uploaded YouTube footage of modern-day Uruguayan soldiers raping a child. The reasons for her tears, and indeed for her years-long estrangement from Diego and the rest of family, are made clear through the flashback to Uruguay’s so-called civil-military dictatorship of 1973-1985 which takes up most of the film’s length. (The fact that it is shedding light on this murky episode in Uruguayan history is of itself sufficient justification for the existence of Breadcrumbs.)

Following a highly implausible holdup, the 21 year-old Liliana (Justina Bustos) is arrested along with several others for her subversive politics, outlined here in the broadest brushstroke. She is taken to a military barracks and under the sadistic eyes of Major Garone (Quique Fernández) tortured and raped, in horrific, hard-to-forget scenes which fall just short of being graphic, cleverly judged so as neither to let the viewer off lightly nor rub their noses in it. Nothing that comes later can match these sequences for their intensity.

Far longer is spent in the detention centre to which the women are moved, where they are able to generate some sort of passive resistance to the military. But the focus of Breadcrumbs on the women prisoners’ solidarity (the title itself refers to an unusual that women prisoners of the time would communicate their solidarity to one another), though laudable, ironically has the effect of bringing the younger Liliana out of clear focus and making her too much one of the group, and though it’s true that Liliana’s story is one of many from the time -- which is presumably part of the script’s point - we lose our feeling for the woman at the film’s emotional heart.

The fact that there’s no score limits potential accusations of sentimentality, but nonetheless there are schlocky moments-- as when the prisoners crowd round a motherless chick they’ve found, or when an empty bed is shown following a significant event. And despite some tears, Liliana as played by Bustos receives her punishments and humiliations with stoic dignity that often looks a little too much like mere passivity, making it hard to engage with her.

Meanwhile, the awful choice that Liliana faces -- between her political ideals and her son, because the system won’t allow her to have both -- is too much taken as read: a more nuanced script would have attempted better to understand other characters’ unwillingness to sacrifice their families for their political ideals. Breadcrumbs thus remains awkwardly straddled on the border between gritty realism and standard drama, and though it’s far better as the former than as the latter, it never properly settles into being either.

Production company: Xamalu Filmes, RCI Producciones
Cast: Cecilia Roth, Justina Bustos, Quique Fernandez
Director: Manane Rodriguez
Screenwriter: Manane Rodriguez, Xavier Bermudez
Producer: Xavier Bermudez
Executive producers: Chelo Loureiro, Cecilia Ibanez
Director of photography: Diego Romero Suarez Llanos
Production designers: Marta Villar, Daniel Fernandez Vaga, ‘Cappi’
Costume designers: Alba Cuesta, Eva Schroeder
Editor: Sandra Sanchez
Composer: Andres Stagnaro
Casting director: Bruno Aldecosea
Sales: Xamalu Filmes


No rating, 109 minutes